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This book focuses on practical, standards-based approaches to planning, executing and managing projects in which libraries and other cultural institutions digitize material and make it available on the web (or make collections of born-digital material available). Topics include evaluating material for digitization, intellectual property issues, metadata standards, digital library content management systems, search and retrieval considerations, project management, project operations, proposal writing, and libraries' emerging role as publishers.
At long last, a guide to writing online content that shows the reader direct examples rather than endless fluffy guidance.
Web Content - The Beginner's Masterclass offers a practical and demonstrative means toward gaining your own, distinct content authoring style.Written with the intent of leading by example, this book contains a selection of articles which encompass many of the more popular subjects and genres commonly seen in the online news media. Through these demonstrative means, it intends to imbue many of the key aspects of content and copy writing while maintaining a strong weighting toward a high grade of 'shareability' through audience preferential of social media channels. The book revolves around its three pillars:IDENTITY - Crafting a unique, recognizable voice. PURPOSE - Embodying clarity in topic choice.STANDING APART - Being different from the banal crowd. Transforming the benign, day-to-day and week-to-week occurrences into a style at once keynote serves to imbue the budding content writer with an edge over the more conventional competitor. It is through this that the essential spirit of Web Content - The Beginner's Masterclass was assembled. Current and contemporary, this book takes into account the fact that search engines are becoming ever more selective in what they highlight and what they leave. Generic writing, the samey and the dull lose out, while writing and content with genuine spirit, humour and style is promoted. The power of words at once eye-catching and colourful with an intense, instantaneous 'shareability' is precisely what the modern day Internet values and rates. Designed as a unique and quirky compliment to a de facto manual of style, veteran online content author and journalist TIMOTHY JONES brings writing to life for readers keen to enhance, improve and realize their talents. With this handbook, they will confront the field of web and news content creation with genuine eagerness.
If you have always dreamed of writing and are ready to take your writing seriously, this is the book for you. Freelance content writer, Deborah Killion gives you the insider secrets on how to make a serious living doing what you love and building your name as a writer. Nothing happens overnight. But with patience and practice, you can reach some level of success. Deb makes over $3500 per month writing. Find out how you can create your writing career without any formal training, if you choose.
This book offers a modular set of chapters that focus specifically on challenges related to case writing. Exercises, worksheets, and training activities will help guide readers sequentially through the entire process of writing both a case and an instructor's manual (teaching note).
Designed as an individualized workshop to assist case authors to structure their writing, this book combines the easy-to-understand, student-focused language of the first edition with new material covering the latest developments and challenges in the world of case writing. These include:
Finishing all the book's assignments will result in a complete case and instructor's manual that can be tested in the classroom and submitted to a conference or journal. The Case Writing Workbook is a must for the shelf of any academic or student conducting qualitative research and looking to enhance their skill set.
It is February, 1929. Cyrus Skeen is hired by an Austrian aristocrat whom Skeen calls a "One-Worlder Gadabout," Count Paul Axel Heinrich Joachim von Wormuth-Esterhazy, of Vienna, to find out who is trying to kill him. He gives Skeen a list he has compiled of twenty attempts to murder him, including flowerpots are dropped from above, a bottle of poisoned schnapps is given to him in a "welcome basket," and nearly being run over by a speeding automobile. The Count has three suspects who may want him dead: consular officials from the German and Austrian consulates in San Francisco, and an elusive American ne'er-do-well who acts as the Soviet Union's unofficial consular envoy. Skeen interviews the Count's suspects and learns that they indeed do not like the man. But do they hate him enough to commit murder? Skeen himself does not particularly like Count Esterhazy or his idea of forming a European Union that would erase the borders on the Continent and nullify the sovereignty of each nation on it. His challenge is to learn who is trying to erase the Count. And then someone tries to erase Cyrus Skeen."
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